Street Road
  • Home
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  • CURRENT
    • Becoming Succession
    • HERE: a place-based polar image bridge
    • Near Dwellers
    • Near Dwellers as Friends
    • Near Dwellers as Indwellers
  • Multi-year enquiries, ongoing
    • Near Dwellers
      • 1: Near Dwellers and the Sharing of Breath, SLQS
      • 2: Near Dwellers as Legal Beings, Fawn Daphne Plessner and Susanna Kamon
      • 3: Near Dwellers as Creative Collaborators, Julie Andreyev and Ruth K. Burke
      • 4: Near Dwellers as Urbanites, Jesse Garbe and Doug LaFortune
      • 5: Near Dwellers as Roadkill, Lou Florence
      • 6. Near Dwellers as Friends
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    • Clouded Title
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      • Clouded Title 2020/21 - Conversations
    • A(mobile)DRIFT
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      • Summer Library, Librarian 12 – Robert Good
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      • Summer Library, Librarian 8 – Logan Cryer
      • Summer Library, Librarian 7 – Rhonda Ike
      • Summer Library 2021 closing event - The Anti-Anthropocene Bonfire Bookburning
      • Summer Library, Librarian 6 – Georgie Devereux
      • Summer Library, Librarian 5 – Mary Tasillo
      • Summer Library, Librarian 4 – Maria Möller
      • Summer Library, Librarian 3 – Rachel Eng
      • Summer Library, Librarian 2 – Lou Florence
      • Summer Library, Librarian 1 – Angella Meanix
  • Outdoor works, ongoing
    • Locust Leap
    • Domestic Rewilding - Ruth K. Burke
    • Supervene Forest
  • past
    • Dennis Haggerty – Various Small Envelopes
    • Multi-year
      • The Dust: American Matter
      • Heterotopia West, Adrian Barron
      • The Post Anthropocene Compost
      • Reigning Heads, Luyi Wang
      • Homma Meridian, by Kaori Homma
      • Folly by Anthony, Dennis, and Nicholas Santella
      • Street Road Rocks
      • Street Road Reading Group
      • Kaori Homma: Meridian Stone
      • unTOLLed Stories, Emily Artinian & Felise Luchansky
        • unTOLLed Stories
        • unTOLLed stories BLOG
      • Bees - Stella Lou Farm
    • 2023
      • May the Neotropical Arise — Zulu Padilla
    • 2022
      • Un-Boxing
      • Twentysix Wawa Stores
      • Winter Library
      • The Book of Ashes
    • 2021
      • Composting Hegel
      • Street Road Rocks at 10&41
      • Chain mail for bad communicators
      • BABE 2021
    • 2020
      • Castor
      • Dutchirican
    • 2019
      • Roots of Resistance
      • Seven Million Acres: Pride of place
      • LFL Exhibitions: Libbie Sofer, Transported
      • Emily Manko | Now, Then, When
      • Julia Hardman: if they're behind you they go too fast; if they're in front of you they go too slow
      • Summer 2019 Conversations
    • 2018
      • Walking Forward – Looking Back: Carol Maurer
    • 2017
      • Ceramic Sanctuary
      • Homestead: a permaculture project, StellaLou Farm (7/6 to 9/16/2017)
      • Shared Ground: Dennis Santella, Nicholas Santella and Anthony Santella, May-June 2017
      • back, forth: Street Road at 5 years 11/2016-4/2017
        • Anchor 1: Par Exemple, Ebenthal
        • Anchor 2: Homma Meridian
        • Anchor 3: The road out of town, McMurdo Sound
        • Anchor 4: Play Under’ from ‘Underneath
        • Anchor 5: Leni Lenape arrowhead collection
        • Anchor 6 : Open Wall
        • Anchor 7: Supervene Forest
        • Anchor 8: Chalfant
        • Anchor 9: Soviet Apartment Bloc, Tblisi, Georgia
        • Anchor 10 : Enskyment
      • #J20 (1/20/2017)
    • 2016
      • 24 Hour Liminal: Maria Möller (August-October 2016)
      • 7000 Acres: a residents' history of Londonderry Township (May 21-July 15, 2016)
      • The Tent of Casually Observed Phenologies (July 16, 2016)
      • Julia Dooley and Dr. Zoe Courville sci-art student project (4/22-23/16)
      • Maxim D. Shrayer and Christianna Hannum Miller (4/9/2016)
      • Fadi Sultagi's The Sanctuary of Bel, Palmyra (to 4/15/16)
      • Susan Marie Brundage and David A. Parker at Street Road and at The Christiana Motel (to 4/15/16)
      • Sasha Boyle
    • 2015
      • The Road Less Traveled, Danny Aldred
      • Sailing Stones (2015)
        • Julia Dooley: Images from the Bottom of the World and CryoZen Garden
        • José Luis Avila: hOMe
        • Kaori Homma: Meridian Stone
        • Egidija Ciricate: About Stones
        • L.A.N.D.
      • Crisis Farm: Seed to Table by Maryann Worrell and Doug Mott (2015)
      • Suburban Landscapes: Brian Richmond (2015)
    • 2014
      • Enskyment, by David A. Parker
      • Arterial Motives
        • Arterial Motives Exhibition
        • Arterial Motives Blog
      • Garage and Octorara Student Exhibition
      • Maxim D. Shrayer - Leaving Russia
    • 2013
      • Proposals of Belonging
      • Lost Highway 41 Revisited Blues (2013)
    • 2012
      • Compass (2012)
      • Parallax (2012)
    • 2011
      • The Lay of the Land (2011)
  • Street Road Press
  • Blogs
    • Blog: Winter 2016/17
    • Blog 2011-2016
    • T.S.W.H.
  • Little Free Library
    • Book Club
    • Little Free Library Blog
  • Home
  • Visit
  • CURRENT
    • Becoming Succession
    • HERE: a place-based polar image bridge
    • Near Dwellers
    • Near Dwellers as Friends
    • Near Dwellers as Indwellers
  • Multi-year enquiries, ongoing
    • Near Dwellers
      • 1: Near Dwellers and the Sharing of Breath, SLQS
      • 2: Near Dwellers as Legal Beings, Fawn Daphne Plessner and Susanna Kamon
      • 3: Near Dwellers as Creative Collaborators, Julie Andreyev and Ruth K. Burke
      • 4: Near Dwellers as Urbanites, Jesse Garbe and Doug LaFortune
      • 5: Near Dwellers as Roadkill, Lou Florence
      • 6. Near Dwellers as Friends
      • 7. Near Dwellers as Indwellers
    • Clouded Title
      • Clouded Title 2018
      • Clouded Title 2019
      • Clouded Title 2020/21 - Conversations
    • A(mobile)DRIFT
    • Summer Library
      • Summer Library, Librarian 12 – Robert Good
      • Summer Library, Librarian 11 – Christianna Potter Hannum
      • Summer Library, Librarian 10 – Christopher Murray
      • Summer Library, Librarian 9 – Maya Wasileski
      • Summer Library, Librarian 8 – Logan Cryer
      • Summer Library, Librarian 7 – Rhonda Ike
      • Summer Library 2021 closing event - The Anti-Anthropocene Bonfire Bookburning
      • Summer Library, Librarian 6 – Georgie Devereux
      • Summer Library, Librarian 5 – Mary Tasillo
      • Summer Library, Librarian 4 – Maria Möller
      • Summer Library, Librarian 3 – Rachel Eng
      • Summer Library, Librarian 2 – Lou Florence
      • Summer Library, Librarian 1 – Angella Meanix
  • Outdoor works, ongoing
    • Locust Leap
    • Domestic Rewilding - Ruth K. Burke
    • Supervene Forest
  • past
    • Dennis Haggerty – Various Small Envelopes
    • Multi-year
      • The Dust: American Matter
      • Heterotopia West, Adrian Barron
      • The Post Anthropocene Compost
      • Reigning Heads, Luyi Wang
      • Homma Meridian, by Kaori Homma
      • Folly by Anthony, Dennis, and Nicholas Santella
      • Street Road Rocks
      • Street Road Reading Group
      • Kaori Homma: Meridian Stone
      • unTOLLed Stories, Emily Artinian & Felise Luchansky
        • unTOLLed Stories
        • unTOLLed stories BLOG
      • Bees - Stella Lou Farm
    • 2023
      • May the Neotropical Arise — Zulu Padilla
    • 2022
      • Un-Boxing
      • Twentysix Wawa Stores
      • Winter Library
      • The Book of Ashes
    • 2021
      • Composting Hegel
      • Street Road Rocks at 10&41
      • Chain mail for bad communicators
      • BABE 2021
    • 2020
      • Castor
      • Dutchirican
    • 2019
      • Roots of Resistance
      • Seven Million Acres: Pride of place
      • LFL Exhibitions: Libbie Sofer, Transported
      • Emily Manko | Now, Then, When
      • Julia Hardman: if they're behind you they go too fast; if they're in front of you they go too slow
      • Summer 2019 Conversations
    • 2018
      • Walking Forward – Looking Back: Carol Maurer
    • 2017
      • Ceramic Sanctuary
      • Homestead: a permaculture project, StellaLou Farm (7/6 to 9/16/2017)
      • Shared Ground: Dennis Santella, Nicholas Santella and Anthony Santella, May-June 2017
      • back, forth: Street Road at 5 years 11/2016-4/2017
        • Anchor 1: Par Exemple, Ebenthal
        • Anchor 2: Homma Meridian
        • Anchor 3: The road out of town, McMurdo Sound
        • Anchor 4: Play Under’ from ‘Underneath
        • Anchor 5: Leni Lenape arrowhead collection
        • Anchor 6 : Open Wall
        • Anchor 7: Supervene Forest
        • Anchor 8: Chalfant
        • Anchor 9: Soviet Apartment Bloc, Tblisi, Georgia
        • Anchor 10 : Enskyment
      • #J20 (1/20/2017)
    • 2016
      • 24 Hour Liminal: Maria Möller (August-October 2016)
      • 7000 Acres: a residents' history of Londonderry Township (May 21-July 15, 2016)
      • The Tent of Casually Observed Phenologies (July 16, 2016)
      • Julia Dooley and Dr. Zoe Courville sci-art student project (4/22-23/16)
      • Maxim D. Shrayer and Christianna Hannum Miller (4/9/2016)
      • Fadi Sultagi's The Sanctuary of Bel, Palmyra (to 4/15/16)
      • Susan Marie Brundage and David A. Parker at Street Road and at The Christiana Motel (to 4/15/16)
      • Sasha Boyle
    • 2015
      • The Road Less Traveled, Danny Aldred
      • Sailing Stones (2015)
        • Julia Dooley: Images from the Bottom of the World and CryoZen Garden
        • José Luis Avila: hOMe
        • Kaori Homma: Meridian Stone
        • Egidija Ciricate: About Stones
        • L.A.N.D.
      • Crisis Farm: Seed to Table by Maryann Worrell and Doug Mott (2015)
      • Suburban Landscapes: Brian Richmond (2015)
    • 2014
      • Enskyment, by David A. Parker
      • Arterial Motives
        • Arterial Motives Exhibition
        • Arterial Motives Blog
      • Garage and Octorara Student Exhibition
      • Maxim D. Shrayer - Leaving Russia
    • 2013
      • Proposals of Belonging
      • Lost Highway 41 Revisited Blues (2013)
    • 2012
      • Compass (2012)
      • Parallax (2012)
    • 2011
      • The Lay of the Land (2011)
  • Street Road Press
  • Blogs
    • Blog: Winter 2016/17
    • Blog 2011-2016
    • T.S.W.H.
  • Little Free Library
    • Book Club
    • Little Free Library Blog
[email protected]
610 869 4712
​

Street Road
725 Street Road Cochranville, PA 19330 

The Little Free Library
1016B Gap Newport Pike 
Cochranville, PA 19330
Picture
 May the
neotropical arise
​~

El eros de la espaciosidad
​

Zulu Padilla 

February 3, 2023 to
​June 3, 2023


SATURDAY, MAY 20, 2023
1pm - 2pm Eastern

ZOOM CONVERSATION WITH
Zulu, who will discuss his work currently on exhibit at Street Road, as well as excerpts from his livestream on Street Road’s Instagram from this year’s Carnival in Barranquilla, Colombia.

Opening Reception: 
February 18, 2023, 1-3pm
Zulu will broadcast live ​from the first day of Carneval in Barranquilla,  Colombia, Live at Street Road and on Street Road's Instagram
1pm-3pm
Eastern Standard Time & ​COT/Colombia Time


Closing Reception:
June 3, 2023, 1-3pm at Street Road


Please visit
www.artworkarchive.com/profile/zulupadilla
​to view more of Zulu's work.

​This exhibition is co-curated by Christopher Murray and Street Road.


​Please email us for purchasing details and with any questions at [email protected].
​
en español abajo

Zulu Padilla's May the Neotropical Arise is an exploration of migration, both literal and metaphorical: this body of work considers migration in a geopolitical sense as well as on an individual, personal level.
 An overarching theme is that everything in the natural world is in permanent transformation, depending on our perspective.

A major focus of this work is neotropical birds and their annual journey from the artist's native Colombia to his current home in Brooklyn, with parallels drawn to his own personal journeys. 


'Migration' for Padilla exists on three levels:
— the socio-political: meaning massive human international migrations 
— the natural: the migration cycle of different species on the planet 
— the sense of self (from where we also see the two other levels): how we see ourselves and each other, existing in constant flux given identities; migrating, integrating and denying different selves that we all have 

Taking these together, Let the neotropical arise proposes a meta-relationship between migration and the idea of transcendental home, a place we might always be reaching toward, a place always in the process of creation. 

Physically, the works here are medium-scale, mixed-media assembled constructions integrating Padilla's photographs of birds, his ongoing deconstructed carnival costumes, and jetsam from gay cruising grounds, such as used condoms degraded to nothing more than plastic rings.
The latter, fascinatingly, is something that birds integrate into their nest constructions. The condom no longer has the ability to serve as a frontier between two intertwined human bodies, and so this transformed object can be thought of as representing the intimate connection of the self, society and nature.

​One of the perspectives that seduces Padilla is that nothing that separates us, no frontier, no nation, is sustainable over time independently. The history of humanity and nature as a metaphor confirms this for us.

Picture
Zulu Padilla is a queer Colombian artist who migrated to Brooklyn in 2012 and found in neotropical bird migration the avenues to integrate his cultural background into New York City's atomic life. He, like the birds, has kept the migration cycle: winter south in Colombia, working in Carnival in his hometown of Barranquilla; the rest of the year, in his Brooklyn studio/home, making print-based assemblages and installations. Each practice entangles the other.

His winter practice is centered on the Caribbean Carnival, which has a long tradition of personal and social transformation via new identity construction and sympathetic joy. 
​

When the neotropical migration is ready to go north for breeding and nesting, he travels back to his studio/home in Brooklyn for the following Spring, Summer and Fall, tracking and taking photographs of the birds in the New York area and beyond. He states: 'my work responds to personal inquiry of who and what I am in my deepest intentions, for the communities that I belong in my Latin American/Caribbean diaspora and society as a whole.'

Following his inquiry of belonging, he practices Dharma buddhism and is a Social meditation facilitator. Buddhist Geeks have been his playground buddies in this exploration: an online mindfulness community about Dharma and the relentless influence of technology. Currently he is working on the integration of recycled paper-maché  in his neotropical work informed by his experience in social meditation.

El Eros de la Espaciosidad (Que surja lo Neotropical) de Zulu Padilla es una exploración de la migración, tanto literal como metafórica: este cuerpo de trabajo considera la migración en un sentido geopolítico así como a nivel individual y personal. Un tema general es que todo en el mundo natural está en permanente transformación, dependiendo de nuestra perspectiva.
El enfoque principal de este trabajo son las aves neotropicales y su viaje anual desde la Colombia natal del artista hasta su hogar actual en Brooklyn, con paralelismos con sus propias experiencias personales.
La 'migración' para Padilla existe en tres niveles:
— lo sociopolítico: es decir, migraciones humanas masivas internacionales
— lo natural: el ciclo migratorio de diferentes especies en el planeta
— el sentido del yo (desde donde también vemos los otros dos niveles): cómo nos vemos a nosotros mismos y a los demás, existiendo en constante flujo de identidades; migrando, integrando y/o negando los diferentes yoes que todos tenemos
Tomando lo anterior,  El  Eros de la Espaciosidad /Que surja lo Neotropical, propone una meta-relación entre la migración y la idea de un hogar trascendental, un lugar al que siempre podríamos estar llegando, un lugar siempre en proceso de creación.

Físicamente, las obras aquí son ensambles de medios mixtos de mediana escala que integran las fotografías de pájaros de Padilla, sus disfraces de carnaval deconstruidos en curso y desechos de los lugares de cruising gay, como condones usados ​​degradados a nada más que anillos de latex.
Este último, fascinantemente, es algo que las aves integran en la construcción de sus nidos. El condón ya no tiene la capacidad de servir como frontera entre dos cuerpos humanos entrelazados, por lo que se puede pensar que este objeto transformado representa la conexión íntima del yo, la sociedad y la naturaleza.

Una de las perspectivas que seduce a Padilla es que nada que nos separe, ninguna frontera, ninguna nación, es sostenible en el tiempo de manera independiente. La historia de la humanidad y la naturaleza como metáfora nos lo confirma.

Zulu Padilla es un artista colombiano queer que emigró a Brooklyn en 2012 y encontró en la migración de aves neotropicales las vías para integrar su trasfondo cultural a la vida atómica de la ciudad de Nueva York. Él, como los pájaros, ha mantenido el ciclo migratorio: invierno al sur de Colombia, trabajando en Carnaval en su ciudad natal de Barranquilla; el resto del año, en su estudio/casa de Brooklyn, realizando ensamblajes e instalaciones basados ​​en impresiones. Cada práctica enreda a la otra.

Su práctica invernal se centra en el Carnaval del Caribe, que tiene una larga tradición de transformación personal y social a través de la construcción de nuevas identidades y la alegría solidaria.​
Cuando la migración neotropical está lista para ir al norte a reproducirse y anidar, viaja de regreso a su estudio/hogar en Brooklyn para la primavera, el verano y el otoño siguientes, rastreando y tomando fotografías de las aves en el área de Nueva York y más allá. Él afirma: 'mi trabajo responde a la indagación personal de quién y qué soy en mis intenciones más profundas, para las comunidades a las que pertenezco en mi diáspora latinoamericana/caribeña y la sociedad en su conjunto.'
​

Siguiendo su indagación de pertenencia, practica el budismo Dharma y es facilitador de meditación social. Buddhist Geeks han sido sus compañeros de juego en esta exploración: una comunidad  online sobre el Dharma y la influencia implacable de la tecnología. Actualmente está trabajando en la integración de papel maché  en su trabajo neotropical informado por su experiencia en meditación social.
Photograph: Paul Notice


Reflections on Carnival, 17 March, 2023, from Zulu in Barranquilla, before his return to Brooklyn this Spring:

Here, in Barranquilla, reflecting on the piece that I’m sending to Street Road  by mail, I'm thinking of how m
y personal experience in the carnival was juicy, full of mystery and the insights that I’m always looking for. But as a core member of our collective “La puntica no Ma'', who carries a sense of responsibility for the organization and general outcome of our performance in the parade, it was problematic, with a lot of tension.

I made the opening flags of the parade for La Puntica. It was a beautiful process, I enjoyed working with fabrics. I loved the flags. I carried one of them and three others were taken by amazing people through the “Batalla de Flores” (Battle of Flowers) parade. The  Instagram Live on Street Road's platform during the standby time was both joyful and  awkward. I was very anxious, our group was composed of over 400 people. The costumes and energy were amazing but overwhelming. I forgot the microphone at home, and the volume of the music was extraordinarily loud.

Unfortunately we were the last ones in the parade. For years we have been fighting for a better place with little success and were downgraded this year. The parade was oversold to the corporate floats  and we ended up dancing with the balconies we passed almost empty. The real problem was the lack of security and the public that took over the street obstructing our way.  We felt vulnerable, abandoned and betrayed by the people that organized this parade.
 

We, as a group, as La Puntica, are in the middle of a social battle dressed like a party. We are the outcast bougie local artists that started with a carnival counterculture dynamic and with the years we have created a very flashy, well known artsy party. We have done a lot of things well, we have contributed to the passing on of traditional cumbia and other afro-caribbean sounds to the new generation and have made space in the city for people who feel the tradition differently, introducing contemporary art dynamics into the local tradition. It has been an open “we” space with a large slice of queerness.

After the logistical collapse of the parade this year we are facing as a group a raw self-examination of who we are in “La Via 40,” the territory where the parade takes place, a real social battle. What is our role in this parade? How do we want to participate and enjoy the carnival?  We don’t belong to the peasant tradition, we are not corporations  taking advantage of the local folkloric traditions, we are not the carnival establishment institutions with their cosmetic intentions - holding the illusion of social change for profit. We are not the bombastic audience seated on the right nor the low income audience seated on the left and we are not the new fundamentalist woke lefties that see carnival as a simple racial equality battle. We are not any of them and we are all  them; a complex diversity with multidimensional intentions.

My companion was the wind, as one of the flag holders, my attention in the parade was with the wind and my eyes in the sky. I was aware of everything that was happening around me  but my mind was with the wind. As always, in February, the breeze was erratic and strong, I had to be very present with the wind in order to keep the flag flying. For me the flags flying with the cumbia was an energetic expansion of joy and dance, and that joy was our protection, penetrating the masses that were crowding the streets. I had the insight that I look for in carnival, mystical longing, full of mystery.  There is beauty,  there is  joy, there is sorrow and uncertainty. 

My practice post carnival here in the region is reflecting on my role as an artist in the Neotropic and in the North, struggling financially, contemplating a couple of big paintings that I have been working with for years and that I want to finish, birding in the La Sierra Nevada de Santa Marta and taking care of family stuff. Thinking a lot about my neotropical process in Street Road and the courage of the inter-continental migration of the birds. I had a beautiful encounter with a Tennessee Warbler and I dream to see a Prothonotary that has been seen close to Barranquilla before my next northern-bound chapter. 


Conversation with artist - June 20, 2023 
Bluesky

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VISITING
Please check our website or social media before visiting as our hours are subject to change.
We can accommodate most times by appointment, given a little advance notice. 
Email us or phone to set up a visit.
And, stop by if you see a car outside!

HOURS — Street Road 
​

February 15 – May 31, 2025
Fridays, 5-8pm
Saturdays, 11-3pm
and by appointment, in person or virtually. 

HOURS — Little Free Library 19330 (our 2nd site a few miles north)
Wednesdays 6-9pm
Thursdays 12-4pm
Fridays 10am-2pm
Saturdays 10am-2pm
and by appointment.

NOTE: The LFL19330 will be closed on July 4th & 5th.

Our Little Free Library outdoor boxes at both sites are open 24/7 and are regularly restocked.

Please call 610-869-4712 or email to set up visits outside our regularly scheduled hours. 
​
We are currently seeking volunteers for both locations: email us to enquire. We look forward to hearing from you!

DIRECTIONS
to Street Road
 here.
to The Little Free Library here.

A word about 'here':
We acknowledge that we are on the ancestral lands of the Lenape, original people of the mid-Atlantic area, forced west by British and US governments. Most Delaware Indian tribe descendants are now located in Oklahoma, Wisconsin, and Ontario. Lenni Lenapes in Pennsylvania are not officially recognized as tribes by the United States, though an estimated 5000 Lenape Nation descendants live in the Delaware River area. We pay respects to the Lenape people both past and present. Please consider the many legacies of violence, displacement and settlement that form part of our collective histories. While increased public recognition of these legacies and processes of redress such as Canada's Truth and Reconciliation Commission are positive steps, concrete focus on return of land and land rights remains a distant horizon.
​
  • Home
  • Visit
  • CURRENT
    • Becoming Succession
    • HERE: a place-based polar image bridge
    • Near Dwellers
    • Near Dwellers as Friends
    • Near Dwellers as Indwellers
  • Multi-year enquiries, ongoing
    • Near Dwellers
      • 1: Near Dwellers and the Sharing of Breath, SLQS
      • 2: Near Dwellers as Legal Beings, Fawn Daphne Plessner and Susanna Kamon
      • 3: Near Dwellers as Creative Collaborators, Julie Andreyev and Ruth K. Burke
      • 4: Near Dwellers as Urbanites, Jesse Garbe and Doug LaFortune
      • 5: Near Dwellers as Roadkill, Lou Florence
      • 6. Near Dwellers as Friends
      • 7. Near Dwellers as Indwellers
    • Clouded Title
      • Clouded Title 2018
      • Clouded Title 2019
      • Clouded Title 2020/21 - Conversations
    • A(mobile)DRIFT
    • Summer Library
      • Summer Library, Librarian 12 – Robert Good
      • Summer Library, Librarian 11 – Christianna Potter Hannum
      • Summer Library, Librarian 10 – Christopher Murray
      • Summer Library, Librarian 9 – Maya Wasileski
      • Summer Library, Librarian 8 – Logan Cryer
      • Summer Library, Librarian 7 – Rhonda Ike
      • Summer Library 2021 closing event - The Anti-Anthropocene Bonfire Bookburning
      • Summer Library, Librarian 6 – Georgie Devereux
      • Summer Library, Librarian 5 – Mary Tasillo
      • Summer Library, Librarian 4 – Maria Möller
      • Summer Library, Librarian 3 – Rachel Eng
      • Summer Library, Librarian 2 – Lou Florence
      • Summer Library, Librarian 1 – Angella Meanix
  • Outdoor works, ongoing
    • Locust Leap
    • Domestic Rewilding - Ruth K. Burke
    • Supervene Forest
  • past
    • Dennis Haggerty – Various Small Envelopes
    • Multi-year
      • The Dust: American Matter
      • Heterotopia West, Adrian Barron
      • The Post Anthropocene Compost
      • Reigning Heads, Luyi Wang
      • Homma Meridian, by Kaori Homma
      • Folly by Anthony, Dennis, and Nicholas Santella
      • Street Road Rocks
      • Street Road Reading Group
      • Kaori Homma: Meridian Stone
      • unTOLLed Stories, Emily Artinian & Felise Luchansky
        • unTOLLed Stories
        • unTOLLed stories BLOG
      • Bees - Stella Lou Farm
    • 2023
      • May the Neotropical Arise — Zulu Padilla
    • 2022
      • Un-Boxing
      • Twentysix Wawa Stores
      • Winter Library
      • The Book of Ashes
    • 2021
      • Composting Hegel
      • Street Road Rocks at 10&41
      • Chain mail for bad communicators
      • BABE 2021
    • 2020
      • Castor
      • Dutchirican
    • 2019
      • Roots of Resistance
      • Seven Million Acres: Pride of place
      • LFL Exhibitions: Libbie Sofer, Transported
      • Emily Manko | Now, Then, When
      • Julia Hardman: if they're behind you they go too fast; if they're in front of you they go too slow
      • Summer 2019 Conversations
    • 2018
      • Walking Forward – Looking Back: Carol Maurer
    • 2017
      • Ceramic Sanctuary
      • Homestead: a permaculture project, StellaLou Farm (7/6 to 9/16/2017)
      • Shared Ground: Dennis Santella, Nicholas Santella and Anthony Santella, May-June 2017
      • back, forth: Street Road at 5 years 11/2016-4/2017
        • Anchor 1: Par Exemple, Ebenthal
        • Anchor 2: Homma Meridian
        • Anchor 3: The road out of town, McMurdo Sound
        • Anchor 4: Play Under’ from ‘Underneath
        • Anchor 5: Leni Lenape arrowhead collection
        • Anchor 6 : Open Wall
        • Anchor 7: Supervene Forest
        • Anchor 8: Chalfant
        • Anchor 9: Soviet Apartment Bloc, Tblisi, Georgia
        • Anchor 10 : Enskyment
      • #J20 (1/20/2017)
    • 2016
      • 24 Hour Liminal: Maria Möller (August-October 2016)
      • 7000 Acres: a residents' history of Londonderry Township (May 21-July 15, 2016)
      • The Tent of Casually Observed Phenologies (July 16, 2016)
      • Julia Dooley and Dr. Zoe Courville sci-art student project (4/22-23/16)
      • Maxim D. Shrayer and Christianna Hannum Miller (4/9/2016)
      • Fadi Sultagi's The Sanctuary of Bel, Palmyra (to 4/15/16)
      • Susan Marie Brundage and David A. Parker at Street Road and at The Christiana Motel (to 4/15/16)
      • Sasha Boyle
    • 2015
      • The Road Less Traveled, Danny Aldred
      • Sailing Stones (2015)
        • Julia Dooley: Images from the Bottom of the World and CryoZen Garden
        • José Luis Avila: hOMe
        • Kaori Homma: Meridian Stone
        • Egidija Ciricate: About Stones
        • L.A.N.D.
      • Crisis Farm: Seed to Table by Maryann Worrell and Doug Mott (2015)
      • Suburban Landscapes: Brian Richmond (2015)
    • 2014
      • Enskyment, by David A. Parker
      • Arterial Motives
        • Arterial Motives Exhibition
        • Arterial Motives Blog
      • Garage and Octorara Student Exhibition
      • Maxim D. Shrayer - Leaving Russia
    • 2013
      • Proposals of Belonging
      • Lost Highway 41 Revisited Blues (2013)
    • 2012
      • Compass (2012)
      • Parallax (2012)
    • 2011
      • The Lay of the Land (2011)
  • Street Road Press
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    • Blog: Winter 2016/17
    • Blog 2011-2016
    • T.S.W.H.
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